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But often times, it feels like there are two parts of her at war for attention.
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Quicklist: 2title: Kimbra’s “The Golden Echo” ***text: Since she emerged a couple years back as Gotye’s duet partner on the smash hit, “Somebody That I Used To Know,” New Zealand-native Kimbra has been associated with an edgy, trend-defying cool sensibility. A string-section comes in adding emphasis. “Entanglement” Over what sounds like a broken clock chime and a beeping digital metronome, Heap sings a surprisingly sensual song over a comfortingly warm synth. The song plays like a sequel to “Clear The Area” from “Speak For Yourself.” Heap, even in this context still shows tremendous care. “Run-Time” This is the closest this album has to a traditional club hit and it is wisely one of the album’s singles. Throughout the set on the whole, Heap explores various tones and Internationally-minded instrumentation.
Wiz khalifa promises instrumental no beat series#
Over its five-and-a-half minutes this moves as if going through a series quick movements. “The Listening Chair” This is the most challenging piece on the record. “Sparks” may not go down particularly easy in some places, but it will leave you astounded, while further cementing Heap as one of the strongest innovators working in the industry today. I think Heap would also be worthy of this treatment if he is looking for another catalog to interpret. Classical pianist, Christopher O’Riley has famously recorded solo piano arrangements of songs by the likes of Radiohead, Elliott Smith and Nick Drake. The isolated instrumental tracks accentuate the tightness of her work. She’s sonically gifted and her arrangements are stellar. Heap’s instrumentals put her in similar company with the likes of Prefuse 73 and Four Tet. I can’t emphasize enough that this is the version you should get. The bonus disc includes instrumental versions of every track on the record. Like she did with her last record, “Ellipse” in 2009, Heap has wisely chosen to release a two disc version of the album. This record may not be quite as immediate as her 2005 masterpiece, “Speak For Yourself,” which I still contend is one of the strongest records to emerge out of the last decade, but give it time and this collection will emerge as having plenty of gifts of its own. Each one of these songs fits well onto the record as a whole and actually blossoms within the bigger context. The sixth song making its second appearance is her collaboration with Deadmau5, “Telemiscommunications” which was originally the closing track to his record, “>Album Title Goes Here<.” In spite of the reruns, Heap has delivered a strong, flowing set. Fans who have been paying close attention to Heap over the last few years, too will recognize six of these songs, since she began releasing a series of five singles (all featured here) as early as 2011. These 14 songs aren't likely to get the pop traction they deserve because they are so wonderfully complex. Her synths and vocal lines are painstakingly layered and intertwined with a great deal of care. Her fourth solo album, “Sparks” is a remarkably dense song-set that moves with an agility more akin to classical music than pop. Quicklist: 1title: Imogen Heap’s “Sparks” (Deluxe Version) ****text: Imogen Heap isn’t a songwriter. - intro: This week Imogen Heap comes back to release her first proper full-length album in five years, New Zealand-native Kimbra releases her adventurous second record, Smokey Robinson sings his classics with some famous friends, Wiz Khalifa has pretty much one thing on his mind, the members of Bishop Allen return with more of their mild-mannered indie-rock and we listen to the soundtrack to the new movie, “If I Stay.” Strap yourselves in and put your finger on the play button because it is go time! Smokey Robinson attends the 56th Annual Thalians Gala at the House of Blues Sunset Strip, April 26, 2014, in West Hollywood, Calif.